• Klaudio's silencer is a high-quality acoustic dampening case for ultrasonic record cleaners. This version will fit an attached KD-ATL-RCM05 automatic disc loader. With a substantial noise reduction down to approximately 50 dB, records can now be cleaned and dried nearby instead of in another room. The enclosure is made of heavy acrylic, steel, and brushed aluminum and is lined with sound-absorbing foam and rubber seals. Separate doors allow access to the LP record and front control panel. Klaudio's silencer uses an active airflow channel with intake and exhaust fans in the back to prevent humidity buildup within the enclosure. Specially designed air chambers suppress sound. Fans are powered by the auxiliary power port on the rear of the ultrasonic cleaner or with an optional AC inverter.
  • Sale!

    Constellation Preamp 1.0 – TRADE IN

    Original price was: $14,500.00.Current price is: $7,400.00.

    In our opinion, the preamp is the heart of the system. This tested and true Constellation 1.0 is a high-performing product for its value.

    It features fully balanced circuitry, a double-supported chassis, isolated circuit boards, a home theater bypass, dual mono construction, and a direct interface for Constellation amps and an aluminum billet remote.

    The under-two-year-old, single-owner preamp was taken on trade by a meticulous owner who moved higher up the chain - it is in mint condition. There is a spec captured in the photo that is not physically on the screen.

  • At the core of Döhmann Audio’s philosophy is the study of resonance energy in analog playback systems. In 2020, our R&D Lab acquired a new piece of test equipment that enabled us to measure resonance propagation and behaviour with a significantly higher accuracy and resolution than ever before. The period of research that followed resulted in some discoveries and insights that led to the development of the Mk3 technologies. The Mk3 Record Clamp is the result of extensive research, data analysis and resonance profile modelling. It represents a significant step forward in analog system design, incorporating new technologies that have never been used in audio applications before. It is difficult to imagine the difference a record clamp can make to the sonic presentation and performance of a turntable, however, the proof is in the listening. Without being aware of it, most of our sound quality reference moments have been experienced in the presence of record & spindle resonances. Remove them, and the paradigm shifts again. The Mk3 Record Clamp has been designed with three principles in mind:

    1st Principle – Record Resonance

    We have been aware that vibrations are present in the vinyl medium itself, both originating externally from sound waves in the air and from the mechanical systems in the record player. They also originate ‘internally’ from the interaction between the stylus and the record grooves. However, utilising the latest technology, we were able to not only measure this resonance, but also observe how it travels within the vinyl medium. This led to a critical thought process on how to attenuate these “self-chatter” resonances using a properly executed clamp design. To address the challenge of record-originating resonances, the new Dohmann Audio Mk3 Record Clamp has the following features:
    • Large mating (damping) contact surface area for the new clamp design to work as opposed to using high force contact points like a spike or ball bearing.
    • Metallurgy was specifically chosen for transmission purposes with internal chambers used for the critical damping materials. One material cannot provide the broad frequency spectrum needed – it needs to be a carefully selected group of materials.
    • Compact design to lower the profile and impact on bearing precession.

    2nd Principle – Spindle Resonance

    We measured resonances through the spindle (stem) which originate in the bearing. These frequencies need to be addressed by different tuned materials and the upper section of the clamp has its own purpose-designed chambers to allow addition of specialised polymers.

    3rd Principle – Isolation of the Record from the Spindle Resonance

    We realised that mitigating spindle resonance helped, but in order to achieve the best sonic results, we had to keep those resonances completely away from the record. To achieve this, a third constrained layer ring system is used to separate the upper and lower chambers which under clamping pressure creates a dissipation plate (Finite Element Method) that is shaped carefully to provide an optimum boundary interface. The cumulative outcome from addressing these challenges is a discernible improvement in clarity, resolution, focus, dynamic contrasts and tonality within the sonic presentation of a turntable. Although this record clamp was designed as part of the Döhmann Audio Mk3 project, it has been consistently demonstrated that this product will improve the sound quality of any turntable that it is used in conjunction with. This clamp design is a result of close collaboration within the team working at Döhmann Audio and our tight relationships with engineering and materials science leaders in our university and defence/industrial sectors. Without advanced knowledge of new materials and customisation capabilities, such breakthroughs would not be possible. We hope that the new Mk3 record clamp assists you to enjoy your vinyl music collection with greater emotional connection – The Döhmann Audio Team.
  • The sNH-10G is an audio-grade network switch designed to reduce incoming noise from the service provider.   The input and output terminals comprise eight LAN ports and two SFP ports. There is also an option to install the sCLK-EX and the 10 MHz master clock input connector to maximize sound quality further. With these options and high-performance network cables, such as the dCBL-CAT7, your network audio system can perform with more realistic textures, a more expansive sound stage, and explosive dynamics without losing the detail of the entire range. In addition, the beautifully carved design represents the music melody with a luxurious aluminum body. It demonstrates the difference from conventional network products in all aspects. No matter what high-end audio system you currently have, experience the sNH-10G to prove what the ultimate sound should be in your network system.
  • What a table! Do not let the unique design fool you. In its simplest form, the Stabi S is a HIFI jewel and has extreme value for the dollar, especially when used with Kuzma tonearms and cartridges. It is constructed with very rigid brass tubing that when joined together forms the shape of a “T”, and comes in natural brass or a black powder coat. This high-mass brass tubing is perfect for a rigid connection to the platter, bearing assembly, and tonearm support. The belt drive motor sits outside the tube and an optional dongle connects it to the controller to set and adjust 33 and 45 RPM speeds. Albums will rest on a solid aluminum platter.  Additional options allow the cross brass tube to support a second arm, which is how we like to set it up. Spindle-to-pivot adjustment for the tonearm is easily adjustable using an eccentric collar that also allows VTA adjustment with a set screw.   Further performance is gained using the Kuzma Platis platform.
  • Electrically and mechanically optimized, balanced interconnect with high-purity silver conductors and solid silver contacts, specifically designed to deliver the best possible performance from CH Precision Electronics' fully complementary circuit design.
  • Electrically and mechanically optimized, low-capacitance loudspeaker cable constructed with high-purity silver conductors and silver-plated copper contacts, specifically designed to enable CH Precision power amplifiers to exert maximum control over their partnering loudspeakers.
  • Electrically and mechanically optimized, low-capacitance power cable constructed with high-purity copper conductors and silver-plated copper contacts, specifically designed to power CH Precision power amplifiers.
  • The Magico M7 is a four-way, six-driver floor-standing loudspeaker capable of astonishing performance. Featuring the latest Magico drive-unit technology, an organically shaped carbon- fiber-and-aluminum enclosure, and the latest Elliptical Symmetry Crossover, the M7 is a tour de force of advanced loudspeaker engineering.

    Tweeter and Midrange: 

    The M7 uses the tweeter designed for the M9. This high-frequency 28mm driver utilizes a beryllium diaphragm with optimized geometry. The diaphragm is then diamond-coated using a chemical vapor deposition process to push the beryllium substrate closer to the theoretical ideal. Magico engineers created a new neodymium-based motor system with the lowest distortion possible, massive dynamic capability, and even greater power handling than previous designs. Lastly, the acoustical performance of the back chamber was improved with careful FEA modeling. The 5” pure midrange driver in the M7 features a Gen 8 Nano-Tec cone formed of an aluminum-honeycomb core sandwiched with outer and inner layers of graphene-infused carbon fiber.  

    Midbass and Bass:

    The M7’s 9” midbass driver uses a newly designed basket assembly and Magico’s Gen 8 Nano-Tec cone, consisting of an aluminum-honeycomb core sandwiched with outer and inner layers of graphene-infused carbon fiber. This drive unit has a 127mm voice coil and an underhung neodymium-based motor system using dual extra-large magnets.  

    A Silent Enclosure:

    The M7’s enclosure begins with a monocoque carbon-fiber shell conceived using Finite Element Analysis (FEA) modeling. A multiply 6061-T6 aluminum front baffle with constrained-layer damping using aerospace composites is affixed to an aluminum rear baffle with front-to-back tensioning rods. The result is a cabinet that produces negligible internal resonances, enabling minimal damping—again, a design optimized conceptually and then tested until perfected. The baffle shape was refined until almost no diffraction effects were measurable. The M7’s overall structure results in maximum strength on every axis, with extreme stiffness, rigidity, and minimal energy storage.   

    The Crossover: 

    The four-way network contains components from Mundorf of Germany and Duelund Coherent Audio of Denmark. The M7’s ESXO crossover perfectly integrates the six drive units into a virtual point source—the six drivers sound complete. A bespoke support system developed specifically for the M7 uses MPOD technology to provide a stable footprint while eliminating noise and achieving perfect coupling to the floor.
  • The TIDAL Contros is designed to be the perfect digital music content controller for TIDAL high-end systems. This is the first TIDAL masterpiece directly benefiting from the ultra-exclusive TIDAL for Bugatti project and its MC-1 controller as basically a synergy-scaled version. The TIDAL Contros combines core Camira, Arkas, and Prisma technologies within one cabinet. All it needs is power, ethernet, then connection to a power amp, ready to perform at a TIDAL reference level, and to simplify the listening experience without compromise.
  • The Camira is the reference digital-analog converter (DAC) from TIDAL - and its performance is so radical that we gave the device a new name: Camira DMC Digital Music Converter™. Designed without compromises it offers a true digital-to-analog output conversion, whether PCM or native DSD. The Camira TIDAL’s proprietary Analog Signal Remediation Technology (ASRT). With it, we can return the analog signal from any 44.1 KHz signal containing the most used formats: every CD and music streaming service, in a sound quality only known from native high-resolution formats or analog sources.
  • The TIDAL Arkas is designed to be the perfect digital music content controller for TIDAL's high-end systems. The Arkas approach was simple: build the perfect musical data file transport with TIDAL performance and reliability. In general, the TIDAL Arkas concept can be compared to the build of a super sports car: as little weight as possible, by removing all but what is necessary, combined with the most power possible - to get the best performance and keep up with the pace. Arkas is built as a no-file-storage system internally and only the core relevant technology around an extremely potent power supply, and it is combined with a unique file transport output. All digital half-life components like music data storage, NAS/music server systems, and hard drives, are intended to be outside the TIDAL Arkas. This way the TIDAL Arkas remains the center of content management as an elite streamer for many years, since some things will not change as quickly as digital technology: our timeless TIDAL electronics cabinet and the power supply inside the Arkas are future-ready. The peripheral components to run the PCB boards and the streaming PCB itself are designed to be upgraded and adjusted - protecting your investment and guaranteeing the very best sound for your TIDAL systems. Whatever the future brings, the Arkas is prepared. Every Arkas comes with a proprietary data connection output called TIDAL-Link. This unique cable connection overcomes the disadvantages of SPDIF RCA, AES, or USB in sound quality and the lack of possibility of playing certain files with certain connections. The TIDAL link cable comes with every Arkas, ready to be plugged into the TIDAL Camira to unleash its real performance and create the perfect TIDAL combination.
Go to Top