• The Studio • Player, with its seamless integration of WADAX technology, offers a single chassis that combines the functionalities of a ​CD/SACD disc player, streamer, and DAC. This integration not only ensures unparalleled convenience but also delivers uncompromising performance, thanks to its digital-to-analog circuitry, which is built upon the same technology as the acclaimed Atlantis Reference DAC. With its user-friendly interface, the Studio • Player promises effortless operation, allowing you to fully immerse yourself in the listening experience without any hassle. Designed for expansion, future add-on components will further elevate performance, ensuring Studio • Player evolves alongside your system. Offering a listening experience unmatched by any other multifunction digital component, Studio • Player unlocks the full potential of your system, enabling you to experience music like never before.
    Streaming Made Easy
    With the Studio • Player, streaming is a breeze. It offers a streamlined playback experience, designed for maximum simplicity and ease of use. No need for additional streaming management software. The Studio • Player has been certified by Spotify and Tidal for direct connect playback, with more streaming services to be added. This means you can effortlessly connect to the Studio • Player using the original app from your preferred streaming service. Switching between streaming services is as simple as changing apps. The use of the native app for each streaming service ensures that the Studio • Player stays current, reducing downtime for software maintenance and allowing you to spend more time enjoying your music. Additionally, this configuration enables any device running a streaming app to function as the controller for Studio • Player. Users can conveniently view artwork and control the volume from the comfort of their listening chair. Backed by technology developed for the renowned Atlantis Reference Server, Studio • Player promises seamless playback with a level of musical engagement and performance that only WADAX can deliver.
    A Player to Grow with You
    Studio • Player offers unparalleled performance and functionality and a design that evolves alongside your system. Its modular architecture and upgradability ensure that Studio • Player remains a steadfast fixture in your setup for the long term. Studio • Player guarantees access to the latest technological advancements from WADAX with fully replaceable Atlantis Reference DAC modules. Furthermore, Studio • Player's upgradeability extends to adding an outboard power supply and clock. This optional external power supply (Studio PSU), incorporating the technology from the Reference PSU, mitigates the noise floor by isolating sensitive circuitry from electromagnetic interference (EMI) and other disruptive noises generated by power transformers. Augmenting the power supply capacity enhances the weight and dimension of the sound. Additionally, an outboard clock (Studio Clock also uses Reference line technology) enhances timing accuracy, minimizing jitter to below 20fs (1Hz-1MHz) and delivering an organic, natural, and complete musical presentation. While Studio • Player delivers exceptional performance, its flexibility allows it to adapt and expand alongside your system, consistently providing best-in-class digital music playback.
  • Same old story – a whole new performance…the C10 Digital to Analog Converter In many ways, the guiding principles that underpin the C10’s design are firmly rooted in the existing 1 Series. But the revised topology, the novel DSQ™ Phase Array DAC architecture, and the incredibly sophisticated grounding and power supply arrangements deliver a whole new level of upgradable, configurable, musical performance. The 16 software-driven R2R DACs at the heart of the C10 mean that it is both updatable and future-proof: as future-proof as the C1.2 – still at the top of its game after 15 years. The C10 establishes a completely new standard for musical performance, practicality, and versatility. It promises its owners a relationship that’s as long as it is musically rewarding. The C10 relies on the proven performance of the PCM 1704 R2R DAC chip, driven by our sophisticated DSP-based, short-tailed PEtER over-sampling algorithm. The DSP operates at a 32-bit fixed point before conversion to 24-bit at the output, the native resolution of the PCM 1704. The C10 uses 16 DACs in a dual differential, sequential DSQ™ Phase Array topology. The C10 power supply provides four independent, highly regulated multiple DC feeds to galvanically isolated circuit blocks within the chassis: the digital processing circuitry, the clock, and the left and right DACs. The audio chassis has adopted a mirror imaged layout, the modular input cards located centrally with the DACs disposed on either side and benefiting from symmetrical clock feeds. This pure DAC is dedicated to delivering the best possible performance from digital storage media. Best performance demands pairing it with a top-flight line-stage pre-amplifier, like the L10. To optimize system matching, it offers user-selectable output levels (1, 2.5, or 5V) and switchable local/global feedback. Inputs are still modular and configurable. The C10 is fitted with CH-Digital-IN HD and Ethernet Control cards as standard, providing connection to CH-LINK HD, AES/EBU (XLR), S/PDIF (RCA), and TosLink optical inputs and also allowing network control via the CH-Control App. The Ethernet Control card can be upgraded to the Ethernet-In HD card, creating a high-quality streaming interface (compatible with all major streaming services). Three additional slots allow users to fit an extra digital input card, a USB input, and the Clock Sync card for connection to an external 10MHz master clock, such as the CH T10 Time reference. The C10 Mono To move from the C10 to the C10 Mono, you simply add an extra power supply. The separation of the circuit blocks within the C10 audio chassis, combined with the four discrete DC feeds from the power supply means that we can surpass the benefits of the six-box topology by adding a single extra power supply chassis, splitting the DC feeds between them. Same significant step up in performance – half the boxes to accommodate. C10 Digital to Analog Converter: Processing:
    • Four independent 2.4GFLOPS DSP engines.
    • Proprietary CH-PEtER 32-bit fixed point, synchronous data over-sampling processing
    • Direct DSD to 705.6kHz, PCM conversion.
    • Full MQA decoder (unfolding and rendering) at 24bit / 768kHz.
    Digital to Analog Conversion:
    • Eight PCM1704 R-2R converters per channel in a sequential DSQ™ Phase Array topology operating at 64x FS.
    • Fully complementary, dual mono symmetrical circuit topology.
    • Discrete, dedicated, fully regulated linear, ground-separated power supplies for low noise and maximum channel separation.
    Timing & Clocking:
    • Ultra-low jitter MEMS-based, thermally compensated Master Clock with dedicated, shunt-regulated power supply.
    Audio Path:
    • Selectable Local or Global feedback.
    • Switchable for mono (input L + input R) output.
    • Reversible absolute phase.
    Analog Output Stage:
    • Pure class A, fully symmetrical DC coupled circuit.
    • Fully discrete, ultra-low noise, high slew rate design.
    • Third-order Sallen-Key Bessel filter.
    • One pair each – balanced XLR, single-ended RCA, and BNC outputs.
    User control:
    • 5-button interface.
    • Infrared remote control.
    • Ethernet control (CH-Control app, home automation, etc.).
    • AMOLED 800×480 display.
    Power Supply:
    • Dedicated external power supply unit with 3 transformers. > 1.5F of total capacitance
    • Multiple cascaded discrete linear regulators.
    • Shunt topology regulators for critical stages.
    • Independent left, right, clock, and digital grounds.
  • The NEW 2024 Magico S5 A true powerhouse! It would not be an embellishment to say that Magico’s new S Series offers the company’s most cutting-edge advancements in loudspeaker design to date. The S3 harkened to a new era, and now the S5 adds a gravitas that can’t be ignored. High technology meets a muscular new form factor. The mighty Magico S5 is now a reality. Sculpted enclosure The newly designed curved-and-shaped aluminum cabinet—is optimized using simulated 3D modeling to minimize internal resonances—maximizes stiffness while enabling optimal damping strategies. The front baffle is curved for minimal diffraction effects. Notably, the S5’s internal volume increased by 31% compared to the previous version. The larger bass cabinet enables the S5’s low-frequency response to plumb 5Hz lower—to 20Hz—while keeping the same sensitivity (88dB). Innovative driver technology A key change from previous Magico cones is the aluminum-honeycomb core sandwiched by graphene-reinforced carbon-fiber skins. The Nano-Tec v.8 cone’s revolutionary core structure —possible only with recently developed manufacturing techniques—allows lower thickness,  lighter weight, and more effective damping. The result has pushed distortion lower than ever before. In addition to vastly improved cone construction, Magico has invested three years in a new generation of driver chassis. This third-generation chassis structure improves mechanical and acoustical parameters, like much-improved force distribution, better suspension designs, and a dual-post configuration that equalizes dynamic tensile wire forces. The new chassis combines stiffness and damping while allowing minimal acoustic contribution by reducing modes and maximizing airflow. All-star driver lineup The S5’s midrange is 6” in diameter with a 3” voice coil. It employs the Magico Nano-Tec v.8 cone and is built into a third-generation chassis. This driver features two extra-large neodymium magnets, a full copper cap, and a pure titanium voice coil. The S5’s midrange sets a new benchmark for measured performance in frequency and time domains. The result is midrange clarity that will leave you speechless. The bass in the S5 is provided by a pair of 10” woofers. Each driver sports a 5” titanium voice coil and a Nano-Tec v.8 cone built into a third-generation chassis. This woofer has a colossal copper cap capable of one-half inch of linear movement with the lowest distortion available in a driver of its size. This enables the S5 to provide accurate, undistorted low frequencies while producing high maximum sound pressure levels. The S5 produces low frequencies with awe-inspiring power and depth while maintaining fidelity to the source not heard outside a Magico loudspeaker. The S5’s tweeter is based on the model used in the M Series. The S5’s 28mm tweeter uses a diamond-coated beryllium diaphragm. A neodymium-based motor system yields the lowest distortion possible today and has even greater power handling than previous S Series speakers. Careful FEA modeling allowed Magico to improve the mechanical and acoustical performance of the back chamber. The S5’s high frequencies are chock-full of textural detail and the sonic subtleties Magico is renowned for. Accouterments: The S5 is available in a generous selection of premium finishes: six Softec choices that are rich in color depth, smooth to the touch, and very durable; and six High Gloss finishes that are expertly polished to a lustrous shine with a clear top coat. The three-footer supports the system using constrained-layer damping and premium materials for greatly enhanced sonic performance. S5 orders placed in the 2024 calendar year will include a special accessory box celebrating. Magico’s 20th anniversary. This memento was designed and crafted specifically to accompany the S5, shaped with the curvature of the S5’s cabinet. Each custom machined- the aluminum accessory box is engraved with your S5s' serial numbers and the Magico "20" anniversary logo.
  • Lyra Kleos offers three models with this line: 
    • Lyra Kleos
    • Lyra Kleos SL (Single Layer)
    • Lyra Kleos Mono
  • Sharing its name with Sicily’s majestic Mount Etna, Etna λ Lambda is an impressive monument in its own right. Although it shares some of its design philosophy with Atlas λ Lambda, the concepts are executed rather differently. While Etna λ Lambda is second from the top in Lyra’s line, one listen will demonstrate that this cartridge’s performance would define the very top of any other cartridge line. Atlas has a very refined, elegant, and voluptuous sound while Etna λ Lambda's personality is more outgoing. We truly believe that choosing between these two exceptional performers will come down to one’s tastes and the system in which it will live. Etna λ Lambda will be ideal for many customers and become their preferred Lyra. Etna λ Lambda offers three models within this line: 
    • Etna λ Lambda
    • Etna λ Lambda SL (Single Layer)
    • Etna λ Lambda Mono
  • The Atlas λ Lambda is Lyra’s new flagship phono cartridge. Lyra remains the only cartridge manufacturer to mount the cantilever assembly directly into the cartridge body thereby achieving a seamless, totally rigid connection between the cantilever assembly and headshell. Atlas λ Lambda offers three models within this line:
    • The Atlas
    • The Atlas SL (Single Layer)
    • The Atlas Mono
  • Klaudio's disc loader queues up to five records for automatic cleaning and drying. Each LP is lowered and raised with a motorized arm, and its status is displayed by an LED (red=dirty, green=clean). Records can be exchanged continuously, so there's no need to wait for all five discs to finish. The auto-loader will track the cleaning status and location of newly added discs. The automatic loader installs easily onto Klaudio's ultrasonic cleaners using the included thumb screw and auxiliary power cable. Note: This product is not compatible with Klaudio's standard-size Silencer Case.
  • Enjoy your vinyl records as if they were new again!

    Klaudio’s ultrasonic cleaners bring an unrivaled 200 Watts of ultrasonic cleaning power to your LP collection. Using patent-pending technology, the toughest grime and dust are easily removed without the risk of physical scrubbers or the need for detergent.

    Ultrasonic transducers are placed perpendicular to both sides of the disc for maximum cleaning effect. Special dampening minimizes vibration and noise while removing debris. Drying is also handled safely with user-timed blowers.

    The entire washing and drying process is user-adjusted from 3 to 9 minutes. The cleaning status is conveniently displayed through an LED progress bar. Once you determine your wash and dry settings, insert your phonograph record, and the rest is automated.

    NOTE: For vinyl discs only. Not recommended for cleaning shellac.
  • Klaudio's silencer is a high-quality acoustic dampening case for ultrasonic record cleaners. This version will fit an attached KD-ATL-RCM05 automatic disc loader. With a substantial noise reduction down to approximately 50 dB, records can now be cleaned and dried nearby instead of in another room. The enclosure is made of heavy acrylic, steel, and brushed aluminum and is lined with sound-absorbing foam and rubber seals. Separate doors allow access to the LP record and front control panel. Klaudio's silencer uses an active airflow channel with intake and exhaust fans in the back to prevent humidity buildup within the enclosure. Specially designed air chambers suppress sound. Fans are powered by the auxiliary power port on the rear of the ultrasonic cleaner or with an optional AC inverter.
  • Sale!

    Constellation Preamp 1.0 – TRADE IN

    Original price was: $14,500.00.Current price is: $7,400.00.

    In our opinion, the preamp is the heart of the system. This tested and true Constellation 1.0 is a high-performing product for its value.

    It features fully balanced circuitry, a double-supported chassis, isolated circuit boards, a home theater bypass, dual mono construction, and a direct interface for Constellation amps and an aluminum billet remote.

    The under-two-year-old, single-owner preamp was taken on trade by a meticulous owner who moved higher up the chain - it is in mint condition. There is a spec captured in the photo that is not physically on the screen.

  • At the core of Döhmann Audio’s philosophy is the study of resonance energy in analog playback systems. In 2020, our R&D Lab acquired a new piece of test equipment that enabled us to measure resonance propagation and behaviour with a significantly higher accuracy and resolution than ever before. The period of research that followed resulted in some discoveries and insights that led to the development of the Mk3 technologies. The Mk3 Record Clamp is the result of extensive research, data analysis and resonance profile modelling. It represents a significant step forward in analog system design, incorporating new technologies that have never been used in audio applications before. It is difficult to imagine the difference a record clamp can make to the sonic presentation and performance of a turntable, however, the proof is in the listening. Without being aware of it, most of our sound quality reference moments have been experienced in the presence of record & spindle resonances. Remove them, and the paradigm shifts again. The Mk3 Record Clamp has been designed with three principles in mind:

    1st Principle – Record Resonance

    We have been aware that vibrations are present in the vinyl medium itself, both originating externally from sound waves in the air and from the mechanical systems in the record player. They also originate ‘internally’ from the interaction between the stylus and the record grooves. However, utilising the latest technology, we were able to not only measure this resonance, but also observe how it travels within the vinyl medium. This led to a critical thought process on how to attenuate these “self-chatter” resonances using a properly executed clamp design. To address the challenge of record-originating resonances, the new Dohmann Audio Mk3 Record Clamp has the following features:
    • Large mating (damping) contact surface area for the new clamp design to work as opposed to using high force contact points like a spike or ball bearing.
    • Metallurgy was specifically chosen for transmission purposes with internal chambers used for the critical damping materials. One material cannot provide the broad frequency spectrum needed – it needs to be a carefully selected group of materials.
    • Compact design to lower the profile and impact on bearing precession.

    2nd Principle – Spindle Resonance

    We measured resonances through the spindle (stem) which originate in the bearing. These frequencies need to be addressed by different tuned materials and the upper section of the clamp has its own purpose-designed chambers to allow addition of specialised polymers.

    3rd Principle – Isolation of the Record from the Spindle Resonance

    We realised that mitigating spindle resonance helped, but in order to achieve the best sonic results, we had to keep those resonances completely away from the record. To achieve this, a third constrained layer ring system is used to separate the upper and lower chambers which under clamping pressure creates a dissipation plate (Finite Element Method) that is shaped carefully to provide an optimum boundary interface. The cumulative outcome from addressing these challenges is a discernible improvement in clarity, resolution, focus, dynamic contrasts and tonality within the sonic presentation of a turntable. Although this record clamp was designed as part of the Döhmann Audio Mk3 project, it has been consistently demonstrated that this product will improve the sound quality of any turntable that it is used in conjunction with. This clamp design is a result of close collaboration within the team working at Döhmann Audio and our tight relationships with engineering and materials science leaders in our university and defence/industrial sectors. Without advanced knowledge of new materials and customisation capabilities, such breakthroughs would not be possible. We hope that the new Mk3 record clamp assists you to enjoy your vinyl music collection with greater emotional connection – The Döhmann Audio Team.
  • The sNH-10G is an audio-grade network switch designed to reduce incoming noise from the service provider.   The input and output terminals comprise eight LAN ports and two SFP ports. There is also an option to install the sCLK-EX and the 10 MHz master clock input connector to maximize sound quality further. With these options and high-performance network cables, such as the dCBL-CAT7, your network audio system can perform with more realistic textures, a more expansive sound stage, and explosive dynamics without losing the detail of the entire range. In addition, the beautifully carved design represents the music melody with a luxurious aluminum body. It demonstrates the difference from conventional network products in all aspects. No matter what high-end audio system you currently have, experience the sNH-10G to prove what the ultimate sound should be in your network system.


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