• On the face of it, all a line-stage has to do is allow you to select between sources and set the system level. Sounds simple? Yet, not only is the quality and performance of the line-stage an absolutely key factor in determining overall system performance, there are fewer contenders for stateof-the-art line-stage honors than in any other product category. Maybe designing the best possible line-stage isn’t quite so simple after all.
  • When it comes to musical integrity, nothing says “walk silently – but carry a big stick!” quite like the new L10. When it comes to high-end electronics, there are fewer top-flight line preamplifiers than any other product category, a fact that reflects just how critical their role is to system performance – and how difficult they are to design. So, when you already build the L1, widely recognised as one of the finest line preamplifiers ever heard, how do you set about improving it? By keeping the recipe and refining the ingredients – something that’s easily said but which has taken all of our accumulated knowledge and experience to achieve. But achieve it we did. The L1 set a new benchmark. The L10 sets an entirely new standard for musical performance. Any line-stage needs to be quiet, transparent and stable. It needs to be seen and not heard – at least until you remove it from your system. Then you should hear exactly what it brings to the party! It must anchor the incoming signals and deliver them onwards, propelled from a firm footing that ensures dynamic and musical authority. It must pass the source signals in your system, without limitation or disturbance, leaving no trace of itself on their passage. It must be all powerful but also invisible…
Go to Top